Dear friends,
WARNING!!! This post will be quite extensive and it will have loads of pictures so proceed at your own risk, my dearests!!!
As I was shortly pointing out 3 days ago, I did try to see before the wonderful Da Vinci painting - "
The Lady With An Ermine" - but I never made it through. It was previously hosted in the Czartoryski Museum, as it is part of their collection, but when I first came to Poland my trip coincided with the over-one-year-period in which the painting toured around the world. After that the Czartoryski Museum was under reconstruction - it still is, yet they managed to have one wing open for the antiques and the 5 gorgeous human mummies + one small cat mummy that they have :)
The Da Vinci painting was due to that moved to the Wawel Castle, where it resides for more than a year (I believe!). Since it was moved I tried to get my fiance to go and see it but each time complications came up. Mostly due to the fact that the Museum is settled down on having only a few people see it at a time so there is a really really really low number of tickets and there is no such possibility of setting a reservation online :(

But this month we are both settled on seeing her! :) We tried the first weekend of this month but we came at around 12 mid-day and there were no tickets whatsoever! So we tried again the second weekend - Saturday morning at 9:30 am the box office opened - we were there at 9:45 am and already the queue was HUGE!!! I did not take a picture so I would not scare you... As our friends were not there yet, we stated that we should at least stand in the queue and IF!!! we get there by the time they come we can take tickets for them also... well... they came and we still were standing in the queue... tell you the truth we stood in line for exactly one hour. Unfortunately we did not get the tickets for
The Lady but since we waited so long at the queue we said we would pick what we could.
The nice part is that once you are in the main room for the tickets - not outside or in the hallway - they have screens that display how many tickets are left for the exhibitions. Once we got in the main room we could see that
The Lady was out of tickets... so we agreed on seeing
The Lost Wawel :)
Here are the details for choosing the tickets - you can see it on the flyer in the picture or you can
read them here:
November 2013 - free admission
Free admission all month!
Choose one main exhibition:
1. State Rooms
2. Crown Treasury and Armoury*
Plus one of the following:
a. Acquisitions 2012 and Leonardo da Vinci: “Lady with an Ermine”
b. The Lost Wawel
Free admission tickets available at the ticket windows
in the Visitors Center:
Tu.–Sat.: 9:15 a.m.–2:45 p.m., Sun.: 9:15 a.m.–2:45 p.m.
Ticket booth at the Herbowa Gate entrance – closed all month.
- Individual visitors: One
free ticket admits one visitor; one visitor may pick up a maximum of 4
tickets (for the same selection of exhibitions) at the ticket window.
- Groups: reservations obligatory; the Reservations Office will accept reservations and issue free passes Tuesday – Saturday. No group visits on Sunday.
Tickets are issued for specific entry times.
For conservation reasons, daily limits on the number of visitors will remain in effect.
exhibitions open
- Tuesday–Saturday: 9:30 a.m. – 4:00 p.m.
- Sunday: 10:00 a.m. – 4:00 p.m.
Last visitor entry at 3:00 p.m.
Sunday – individual visitors only; no reservations;
*this exhibition is closed on Sundays
Museum closed on Mondays and November 1 and 11
Visitor information: +48 12 422-51-55 ext. 219 informacja@wawel.org.pl
If you can’t make it in November, don’t worry. The Castle offers free
admission to selected exhibitions every Sunday, December through March
and on Mondays from April to October. Children 7 and under always visit
free.
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We - my friend, my fiance and I - managed to get tickets for
State Rooms &
The Lost Wawel. When we left home we were settled on
The Lady &
Crown Treasury and Armory... oh! Well... C'est la vie!


The
main exhibition of the castle’s interiors includes several rooms on the
ground floor and guest apartments on the second floor. The three rooms
on the ground floor, which served as the suite of the Governors of
Cracow, have retained their Renaissance wooden ceilings. Their stone
portals were reconstructed in the inter-war period. The Envoys’ Stairway
which connects the ground level with the private royal apartments on
the first floor and the rooms on the second floor boasts original
Renaissance portals.
The second floor of the eastern and northern wings houses guest
apartments. Their original ceilings were damaged by fire in 1702 and
again during the Austrian occupation in the early 19th
century. Large fragments of original wall friezes are preserved in the
three rooms located to the south of the Envoys’ Stairs (missing
fragments were reconstructed before the Second World War). The Envoys’
Room boasts an astonishing ceiling with woodcarvings of 30 human heads.
Tapestries commissioned by Sigismund Augustus are the most valuable
treasure of the Renaissance rooms, and the only art object preserved
from the original interior decoration. Woven in Brussels in the third
quarter of the 16th century, they depict biblical and
grotesque scenes, and the coats of arms of Poland and Lithuania. There
are also valuable paintings, Italian furniture, predominantly from 16th century Tuscany, and Polish royal portraits.
After a fire in 1595 Sigismund III Vasa commissioned the
restoration of the interiors in the northern wing of the castle, which
was carried out by the architect Giovanni Trevano and the painter
Tomasso Dolabella. Only the Senatorial Room, the largest in the Castle
and at present decorated with tapestries, was untouched by the fire. In
other interiors among the objects that survived are marble portals and
a magnificent early Roman Baroque fireplace, as well as stucco ceilings,
such as those in the royal chapel. The present reproduction Baroque
ceilings, from the inter-war period, are filled with plafonds by then
noted Polish painters-colourists of the time, and the walls are covered
with 18th century cordovan tapestries. The Dutch Study in
Sigismund III’s Tower houses paintings of the Dutch school. Portraits of
Polish kings and members of the royal families, as well as paintings of
historic moments in Poland’s past, are the dominant feature in this
section of the castle.
The exit from this exhibition is through a second reception stairway, the Senatorial.
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1. The Governor’s Parlour
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The Governor’s Room
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The parlour, with a Renaissance larch wood ceiling, has retained the formal character of a parlour where the Governor received his guests. The furnishings date from the 16th and 17th
centuries and are predominantly representative of northern European
schools: Renaissance paintings from the Netherlands and Germany, Baroque
tapestries (gobelins), and an Italian table.
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2. The Tournament Hall
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The Tournament Hall
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In the hall there are wall friezes with tournament scenes painted
in the 1630s by Hans Durer (brother of Albrecht Durer) and Antoni of
Wrocław. Italian Renaissance paintings include portraits of young males
from the Medici family and were painted by Alessandro Allori and Giorgio
Vasari. Among the Italian furniture there is a table from the Palmieri
Palace at Siena. The impressive 18th century stove comes from the castle at Wiśniowiec in Wołyń.
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4. The Envoys’ Room
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The Envoys’ Room
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Here sessions of the Lower House (Seym) were held in the presence
of the king. The ceiling coffer, reconstructed in the first half of the
20th century, shows 30 woodcarvings of human heads created in
1540. The original ceiling - the work of Sebastian Tauerbach’s workshop
- consisted of 194 of such sculptures (it was seriously damaged at the
beginning of the 19th century). The wall frieze, which dates
from the same period as the sculptures, depicting ‘The story of human
life’, is an illustration of an ancient Greek text Tabula Cebetis. The tapestry entitled God speaking to Noah, from Sigismund Augustus’ collection, was made in the mid 16th
century in Brussels based on a pattern by Michiel Coxcie. Renaissance
portraits of King Sigismund the Old and of his daughter Anna Jagiello
were painted by Marcin Kober. There is also an 18th century stove from the palace in Wiśniowiec.
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6. The Planet Room
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The Planet Room
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The wall frieze (dating from 1929) showing personifications of the Planets is a reminder of 16th century paintings that did not survive. The furnishing in the room comes from Renaissance times. The tapestry entitled God blessing Noah’s family (mid 16th
C.) comes from Sigismund Augustus’ collection, and was weaved in
Brussels. Among the Italian paintings of the Venice and Ferrara schools
is Jove, Mercury and Virtue painted by the celebrated artist
Dossa Dossi (a gift from Karolina Lanckorońska). There is also Italian
furniture and a majolica vase on display here.
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8. The Bird Room
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The Bird Room
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It is to be found inside the Gothic tower. Around 1600, following a
fire in the castle, it was transformed into the audience hall. It was
then that a large fireplace and portals bearing the coats of arms of the
Vasa family were designed by Giovanni Trevano, and the plafonds were
painted by Tomasso Dolabella. The existing ceiling dates to the first
half of the 20th century. Also at that time the walls were decorated with an 18th
century cordovan from king Augustus III’s castle at Moritzburg. There
are portraits of Sigismund III and of his spouse Constance the Austrian.
Among other western European paintings from the 17th century there is The Allegory of Fortunate Fate by Frans Francken II, and Vanitas by Bartolomeus Spranger. The two stone busts of the Roman emperors Domitian and Nerva, also date from the 17th century. A splendid Dutch cupboard is decorated with scenes of Rome.
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10. The Royal Chapel
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The Royal Chapel.
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The chapel was built around 1602 for Sigismund
III Vasa. Its vault has retained its original stucco decoration. The
fresco is by Józef Pankiewicz and dates from c 1930. The altar
(triptych) features a representation of the Holy Trinity on the central
panel and saints on the wings. Poland, Krakow, c.1600. A small painting Sigismund III on the Catafalque depicts the King after his death, lying in the castle chapel in Warsaw. The furniture dates from the 17 th century.
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11. The Eagle Room
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The Eagle Room
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A formal room, where during sessions of the Seym at Wawel, monarchs
held a royal law court. The original ceiling with a carved eagle did
not survive and was replaced by a new one in the inter-war period. There
are portraits of the royals and paintings depicting 17th century historic scenes on the walls. Among these are The Entry of Jerzy Ossoliński into Rome and The Entry of Queen Marie-Louise Gonzaga into Gdańsk, both painted by Bartłomiej Milwitz. The Belgian tapestry (gobelin) The Death of Decius Mus was woven to a pattern by Rubens.
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12. The Senator’s Hall
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The Senator’s Hall
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This largest room in the castle was originally designated for
sessions of the Senate, important state and court ceremonies, royal
weddings, theatre performances and balls. The first royal wedding, that
of Sigismund I to Bona Sworza, took place here in 1518. The walls are
decorated with large figural tapestries with biblical themes from
Sigismund Augustus’ collection. A Classicist armchair has replaced the
throne.
Archaeological-architectural reserve and lapidarium
The
Lost Wawel
exhibition in its present form opened in 1975. Building upon earlier
expositions dedicated to the history of Wawel Hill and centered on the
remains of the Rotunda of Sts. Felix and Adauctus (alternately, Rotunda
of the Blessed Virgin Mary) from the late 10th/early 11th century, the
exhibition also encompasses the former royal kitchens and coach house.
This unique exhibition combines an archaeological-architectural reserve,
architectural elements from various periods, traditionally displayed
objects uncovered in archaeological excavations, and scale models of
buildings. One room is devoted to the Wawel’s large collection of
Renaissance tiles. A multimedia presentation takes visitors through the
history of the Wawel Hill in the Middle Ages.
The Wawel lapidarium is a collection of stone sculptures and
architectural details recovered over the past 100 years in the course of
restoration work and archaeological excavations. All of the objects
relate to the Wawel and were removed from their original locations at
different times and in varying circumstances. A selection of the finest
stonework is on view in several dedicated rooms. The sculptures and
carved stone elements presented are not only parts of an architectural
ensemble. They are a tangible manifestation of the fate and
transformation of the historic buildings on Wawel Hill.
The objects are arranged in thematic groups: architectural elements from
the Arcaded Courtyard; fragments of stonework from the façade of the
royal palace and pieces uncovered in archaeological excavations
conducted on the lower terrace of the royal gardens; and sculpture and
stonework from the Wawel Cathedral. The Cathedral’s Sigismund Chapel is
one of the finest examples of Italian Renaissance architecture north of
the Alps, but can only be viewed through a bronze grille. A display of
plaster casts of the Chapel’s carved stone decoration provides a unique
opportunity to see these splendid ornamental details close up.
Archaeological-architectural reserve around the Rotunda
of Sts. Felix and Adauctus
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Rotunda of Sts. Felix and Adauctus (or Rotunda of the Blessed Virgin Mary), 10th/11th century.

This is the most important architectural site within the
reserve. It was excavated and reconstructed in 1917–1918. The
cylindrical rotunda with four apses is built directly on limestone
bedrock. In addition, on the south side there is a circular annex
connected to the main structure by a passageway. The building is
constructed of irregular sandstone plate bound with lime mortar. The
extant walls of the structure are 3 to 7 meters high (southeast apse).
The rotunda was discovered Adolf Szyszko-Bohusz, who also studied the
structure and proposed the first spatial reconstruction of the body of
the building (model on view in the exhibition). The visible, upper
portion of the reconstruction was built at a scale of 1:1 onto the
existing walls. Ever since its discovery, the rotunda has been a topic
of scholarly debate. Discussion has ranged from the reconstruction to
other possible spatial and functional solutions and dating.
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Remnants of medieval structures located to the north and
east of the Rotunda of Sts. Felix and Adauctus: the pre-Romanesque walls
of the tomb annex with a partly disturbed burial site, a Gothic
defensive wall, and the foundations of the Gothic upper castle. Natural
depressions or sinkholes and archaeological layers of material culture
are visible in the strata of the exposed rock face.
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Royal Coach House
Objects discovered in
archaeological excavations on Wawel Hill are displayed in the chambers
of the former coach house. Material traces of everyday life in the
Middle Ages, such as shoes, buckles, pots, and tools among others, are
grouped together by their constituent materials. Plaster casts and
architectural details which correspond to models of medieval buildings
provide context. One of the most intriguing objects on view is a tomb
slab carved with an image of the Tree of Life. It comes from
a bi-apsidal pre-Romanesque rotunda (known as church B).
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Small Kitchen
Parts of the 16th-century
royal kitch-ens are preserved in this chamber: foundations of the
pillars that supported stove hoods, remnants of ovens, and the original
ceramic tile floor. Late medieval ceramics, such as kitchen vessels,
tableware, floor and stove tiles, are displayed in glass cases. Also on
view are models of the 15th-century psalm singers house founded by Jan
Długosz and the 14th-century Gothic cathedral.
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Lapidarium (I)
Architectural details from
the Arcaded Courtyard, which was restored by Zygmunt Hendel in
1905–1914. Original 16th-century stonework elements, later replaced by
copies, constitute a large portion of the Wawel lapidarium.
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Lapidarium (II)
Stonework
fragments from the royal palace and ensembles of carved stone details
found in archaeological excavations of the lower terrace of the royal
gardens.
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Lapidarium (III)
Stonework from the Wawel
Cathedral includes a Renaissance altar ensemble from 1521, carved by
stonecutters from the workshop responsible the Sigismund Chapel;
a tympanum from the tomb (1613–1615) of Piotr Tylicki, bishop of Krakow;
and a 1558 marble sculpture of St. Anthony Abbot.
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Lapidarium (IV)
Exhibition of
plaster casts of the carved decoration of the Sigismund Chapel. The
oldest were cast in 1868–1874, from molds made by the Krakow sculptor
Parys Filippi. The casts were made by students attending Courses for
Women at the Museum of Technology and Industry in Krakow and published
in an 1878 album on the architectural decoration of the chapel entitled Album ozdób z kaplicy Zygmuntowskiej.
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The 16th–17th century tiles in the collection come from
ceramic heating stoves once found in the royal castle. It is the most
valuable ensemble of its kind in Poland. The tiles are beautifully
decorated with figural elements, vegetal and animal motifs, and coats of
arms. Models of tile stoves are also on view. |
Multimedia Room
The exhibition also
includes a virtual computer reconstruction of selected early Romanesque
and Romanesque buildings of Wawel, based on archaeological,
architectural, illustrational, photographic and conservational evidence.
The buildings are shown on Wawel Hill surrounded by wooden and earth
fortifications and with cottages within. |


The stories from above are taken from the site of the castle that is both in Polish and English language and really easy to navigate. The pictures are taken from that site as well as visitors are able to take pictures out and about the castle but NEVER inside! So put your cameras aside and enjoy the tour. I recommend getting and audio-guide for the stories and for more understanding of the exhibitions as each room has only one plaques that states what is in the room and what you can see - that is all, no stories - no romance - no feeling. Just plain facts ;)
You are though allowed to take pictures once you are outside and I really always like taking pictures. The pictures above also show the German wall raised during the Second World War, when Wawel became the residence of the detested Nazi Governor General
Hans Frank. There was a great plus to that - Hans Frank was quite an art lover and when Hitler stated all Krakow should be blown up he did not agree, hence we still have the very old and beautiful Wawel intact :) + the German wall, where the kitchen/stables (cannot remember the whole story) was before. You will not notice the difference now as it was renovated a few years ago and restyled a bit so it would fit the scenery ;)
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Picture taken by one of my lovely "daughters" :) Mummy and Daddy are proud of you :* |
I just love the small details of the castle from the small and weirdly positioned balconies to the red rooftops with the drainage system made out of dragon heads... EPIC!!!
Can you see the Dragon heads? Unfortunately I did not have the other lens with me to take a better shot :( But both me and my fiance tried and you can zoom in and see or you can just come to Krakow and check it out for yourself :)
Also in the main court if you wanna help rebuilding and reconditioning Wawel there is a nice box where you can deposit money - below you can see a picture of it ;)
And you can also see the fact that it is full with a lot of foreign currency so you can't say you don't have zloty with you, you can put your own currency ;)
Anyway, Wawel should be on everyone's
To Do List :) And it will still remain on my list until I will manage to see
The Lady! And since the
3rd time is the charm... or so they say! We will try again on Tuesday this week, so keep your fingers crossed for me please :) If you wanna join us, you are more than free to tag along with me and my lovely fiance. In case we do not make it this time we were thinking of trying the
Japanese Museum so either way it will be lovely and I will tell you more about it very soon ;)
Yours truly,
The Museum Fan LadyBug :)
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